

Messages 1 makes a reference to the story " The colour out of space" by H.P Lovecraft (similarly to other Lovecraft references within the map).In message 10, the date " January 15th" is written as 1/15.In message 8, the date "November 5th" is written as 11/5.The messages in Shadows of Evil make hidden references to 115:.Shadowman (as Journalist): "Are you using Campbell to keep your big moneymaker away from opponents who could be just a little too dangerous?"įloyd's Promoter: "The champ doesn't avoid anyone."įloyd's Promoter: "But nothin', this interview is over! No further questions!" Shadowman (as Journalist): "What about the fact that fans would much rather see the number one contender facing off with the champion, your champion, as opposed to this little heard of, journeyman fighter?"įloyd's Promoter: "Look, there's no doubt that Floyd Campbell is the underdog, nevertheless."

Shadowman (as Journalist): "Putting aside your enormous self-interest as a promoter, what would you like to say to boxing fans everywhere about the upcoming fight, particularly with regard to this last-minute substitution, uh, Floyd Campbell?"įloyd's Promoter: "I'd like to say that Floyd Campbell is a credible opponent, despite how the bookies may see it." Jack's Partner: "Listen, the more I talk to you, the more I'll get a reputation around the precinct. Shadowman (as IA Officer): "Is Jack Vincent on the take." Jack's Partner: "So what do you want to know? That he's a loudmouth, a showoff, more than a little rough around the edges? That he's a drinker, smoker? How about the fact that he's got a wife that scares him more than any fucking criminal out there? What do you want me to tell you?" Shadowman (as IA Officer): "You're a good detective."

Jack's Partner: "You wanna know about my partner, Jack Vincent." Or is it an allegory, I can never remember the difference." Shadowman (as IA Officer): "The chase? Excellent metaphor. Jack's Partner: "Yeah yeah, I know, can we just cut to the chase?" Shadowman (as IA Officer): "Please understand that you yourself are not under any suspicion at this time. Because they've been paid off, or because they're too damn scared? I'm not sure what to believe anymore." There's all these rumors about human sacrifice and freaky shit that even the police won't investigate. They say you can hear them chanting sometimes, from beneath the city. Asking around, I've heard more than a few whispers about this Ancient Order and the Keepers. Even though they're scared, or maybe because they are. Well, even if what he said was more than a little crazy, I'm not sure he was. How good and evil were battling right on our doorstep, and that the only thing holding back the forces of the apocalypse was.

He told me that when he was a boy, his uncle would get drunk and start talking about how a 'dark force' cast its shadow over the city. For some reason, the fruit seller was much more talkative, even if what he said was more than a little crazy. If you ask me, something definitely ain't right here." When I tried to press him on it, he just lowered his head and ignored me. He said a similar thing happened in New England in 1882. I spoke to one guy in his 80s, a fruit seller, at a local market. It looks weird, and smells even weirder, but nobody's really said anything. In the dark, damp alleys, there's a strange kind of fungus growing. Then, the mold showed up, all over the city. Just last week there was a meteor shower, a freakin' meteor shower! And everybody acted like it was no big thing. Even though no one seems to wants to talk about it, something is definitely off about this city. I know you sent me here to write a piece about the city's bustling nightlife and theater scene, and the characters that inhabit it, but things are getting kinda strange. So, I'm here, finally, taking in the sights, sounds and smells of Morg City. And Mobb Deep’s Prodigy delivers on the threat with his astonishing first verse: “Rock you in your face, stab your brain with your nose bone…” It’s the kind of thing that should get you locked up for life.Reporter: "Hey Mr. It’s the sound of a looming threat that could exist in any era. II” so timeless is that it’s also somewhat generic. II,” Mobb Deep’s Havoc combined three equally mercurial jazz samples: Herbie Hancock’s “Jessica,” “Daly-Wilson Big Band’s “Dirty Feet” and Quincy Jones “Kitty With The Bent Frame.” The songs are so obscure (at least to hip hop fans), their presence in the track remained somewhat of a mystery for a decade and a half. II.” That slow drum beat and those sirens seemingly ripped out of a horror film. There’s something immediately terrifying about “Shook Ones, Pt.
